The cover is by penciller Ed Hannigan and inker Klaus Janson, and it is way too busy due to all the elements. Plotter L. B. Kellogg and writer David Anthony Kraft provide a mess of a script due to the differing genres and failure at social messaging. Letterer John Costanza does a mostly good job with placing and sizing the text of such a verbose issue. Lastly, the visuals by colorist Carl Gafford and artists Jerome Moore and Frank McLaughlin while extremely well done can’t save this poorly written issue.
Not recommended.
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